Using Alcohol Inks To Tint Liquid Polymer Clay

00:00:03 –> 00:00:08 Hi Guys! This is Cindy Lietz, your Polymer Clay Tutor and today in the PcT Test Lab,

00:00:08 –> 00:00:15 I’m gonna show you how to tint liquid polymer clay with alcohol ink. Now, the reason why

00:00:15 –> 00:00:24 I thought of this was that Sculpey just sent me a brand new bottle of Liquid Bakeable Clay

00:00:24 –> 00:00:30 in Pearl and this is one of their new launches for this year. And you may be familiar with

00:00:30 –> 00:00:35 the gold and silver they launched before. And I have videos on that so you wanna check

00:00:35 –> 00:00:39 that out. But I was thinking, since I have gold and silver, wouldn’t it be fun to have

00:00:39 –> 00:00:44 a bunch of different colors of the Pearly Clay so I thought I’d start experimenting

00:00:44 –> 00:00:49 with mixing alcohol inks in. Then I kinda went crazy and I start mixing with all the

00:00:49 –> 00:00:55 different brands of liquid polymer clay just to see how they would compare. So, these are

00:00:55 –> 00:01:02 the results that I have. Now, the different clays–different liquid clays that I have

00:01:02 –> 00:01:09 mixed alcohol inks into are and I’ll just kinda go in the row here. I’ve got Kato Liquid

00:01:09 –> 00:01:16 Polyclay in Clear. Now, Kato Polyclay liquid also comes in some color blends, I’m just

00:01:16 –> 00:01:25 using the clear here. I also have Staedtler Fimo Liquid Gel and that’s clear as well.

00:01:25 –> 00:01:30 I don’t think they have any other tinted ones. This is Translucent Liquid Sculpey. Now, they

00:01:30 –> 00:01:38 have changed their name to Sculpey Liquid Bakeable Clay. Now, we used to call Translucent

00:01:38 –> 00:01:46 Liquid Sculpey, TLS but I don’t think I really want to call this as SLBC. It seems too hard.

00:01:46 –> 00:01:53 So, we’ll just call it Liquid Sculpey. And this is the Pearl, this is the Liquid Sculpey

00:01:53 –> 00:02:00 Silver and Liquid Sculpey Gold. Now, I’ve kind of put all the different brands in a

00:02:00 –> 00:02:05 line straight down from the bottle there so you’ll know which ones I’ve mixed them with.

00:02:05 –> 00:02:12 And then the alcohol ink that I mixed them with is some of the alcohol inks that Jacquard

00:02:12 –> 00:02:18 sent me from their Pinata line. Now, Pinata has a ton of different colors and they’re

00:02:18 –> 00:02:24 really fun. I just thought I would keep this pretty simple by just using three basic colors

00:02:24 –> 00:02:37 and then doing mix at the end. The colors I chose were Senorita Magenta, Sapphire Blue,

00:02:37 –> 00:02:43 and Sunbright Yellow and then I took the Sapphire Blue and the Sunbright Yellow and mixed them

00:02:43 –> 00:02:49 together to make this green color. So I’ll just show you quickly how I did it and then

00:02:49 –> 00:02:53 I will show you how they ended up. These are all baked samples here but I’ll show you how

00:02:53 –> 00:03:00 I mixed them together and I’ve got a glass tile here, it doesn’t have to be orange, I

00:03:00 –> 00:03:04 just happened to have an orange one. It’s nice and smooth so it’s a nice thing to bake

00:03:04 –> 00:03:09 something like this on and that you can just peel it right up off after. I’ll just set

00:03:09 –> 00:03:17 that to the side. And all I did was–and I’ll do the new Pearl to show you what it’s like.

00:03:17 –> 00:03:23 All I did was take a pea size drop of the liquid clay and I did the same thing for each

00:03:23 –> 00:03:34 of the colors. And then I put one drop of the alcohol ink in. So here’s the one drop

00:03:34 –> 00:03:40 of the Senorita Magenta. Now, the funny thing that kinda happened when I mixed them into

00:03:40 –> 00:03:49 these into the clay is that it turned almost electric-colored. Like very fluorescent. And

00:03:49 –> 00:03:54 it doesn’t do that always when you’re using it but all I did was just mix it with a little

00:03:54 –> 00:04:02 knife. Now, notice that I mixed that one right away. If you let the alcohol ink dry a little

00:04:02 –> 00:04:07 before you start mixing it into the clay, you’ll get speckles in it and I’ll show you

00:04:07 –> 00:04:12 that in one of the samples up here where I figured that out–by messing up. Then all

00:04:12 –> 00:04:19 I did was I just scrape of this little amount and spread it on our tile to bake and I try

00:04:19 –> 00:04:25 to make it nice and thin so that we can see if it was transparent or not. I also, for

00:04:25 –> 00:04:32 some of the colors, just wipe that off. This cleans up really nicely with a baby wipe or

00:04:32 –> 00:04:36 with a paper towel and rubbing alcohol so if you’re wondering how to clean all that

00:04:36 –> 00:04:49 up. That’s a good one to do. OK, so I baked all of these samples at 275 Fahrenheit which

00:04:49 –> 00:04:55 is 130 Celsius. All of these brands except for the Fimo, so these are the brands–the

00:04:55 –> 00:05:05 Sculpey and the Kato Polyclay–they all say to bake at 275 Fahrenheit and the Fimo says

00:05:05 –> 00:05:12 to bake at 265. It’s so close and liquid polymer clays tend to like to bake a little hotter

00:05:12 –> 00:05:17 anyways. They make them more translucent so I just baked them all at 275 and I didn’t

00:05:17 –> 00:05:23 see any harm to the Fimo liquid and it was just gonna be easier for me and I baked them

00:05:23 –> 00:05:28 all for one hour. I really wanted them to be nice and clear and as strong as possible.

00:05:28 –> 00:05:37 I wanted to see how they would–whether the alcohol ink would change their color and whether

00:05:37 –> 00:05:42 they would change their consistency or anything once they were baked. So these are all the

00:05:42 –> 00:05:48 samples of the clay up here baked with no alcohol ink in them. So I’ll just kinda lift

00:05:48 –> 00:05:56 them up from the surface ’cause they’re quite clear. This is the Kato liquid clay, it is

00:05:56 –> 00:06:06 slightly yellower but it’s very very clear and very shiny. Here is the Fimo liquid. Now,

00:06:06 –> 00:06:17 it is the most clear. It is like cellophane this stuff. It is super clear and super white

00:06:17 –> 00:06:27 and not quite as shiny as the Kato but it’s really quite clear and you’ll find that if

00:06:27 –> 00:06:33 you bake on a glass–shiny, glass tile, the back side is super shiny. And the top side

00:06:33 –> 00:06:38 is a little bit more matte on all of these ones especially the Sculpey liquids. OK, so

00:06:38 –> 00:06:46 here’s the TLS, translucent Sculpey. It isn’t quite as clear as the other two but it is

00:06:46 –> 00:06:52 quite translucent. It’s super shiny on the back side but a little bit matte on the front

00:06:52 –> 00:07:02 side. Now, here’s the new Pearl. It is really pretty and sparkly. Hopefully, the camera

00:07:02 –> 00:07:06 picks that on that. It’s just got a real nice shimmer. It looks like it’s got PearlEx powder

00:07:06 –> 00:07:13 in there and something very similar and the Pearl is quite neutral, it doesn’t have–it’s

00:07:13 –> 00:07:21 neutral, it doesn’t have real color to it. It’s just pearly kind of tint to it. Now here

00:07:21 –> 00:07:27 is the Silver, it’s pretty similar to the Pearl, only it has a silvery gray kind of

00:07:27 –> 00:07:33 tint to it. Now, these are still quite translucent so they basically just taken the Translucent

00:07:33 –> 00:07:41 Liquid Sculpey and added Mica powder to it. Now, here is the gold and it is obviously

00:07:41 –> 00:07:49 more gold than the rest so you can see it when you mix in the alcohol inks that the

00:07:49 –> 00:07:56 gold one is affected by the–it does shift in color. OK, so here are all the colors baked

00:07:56 –> 00:08:05 up. I did notice that the Kato liquid clay in the pinks changed color slightly. It looks

00:08:05 –> 00:08:12 a little darker. These other ones like the Fimo liquid almost–it is still clear but

00:08:12 –> 00:08:18 when you hold it in an angle, it’s quite orange, kind of fluorescent. I’m hoping the camera

00:08:18 –> 00:08:26 picks that up too. When you see it at an angle, it has a very cool look to it. The liquid

00:08:26 –> 00:08:33 Sculpey, same thing. Look at how it looks with that Senorita Magenta in there. It has

00:08:33 –> 00:08:41 a very fluorescent kinda cool look to it. Now with the–it is very pretty with the Pearl

00:08:41 –> 00:08:49 as well. It gets a little bit darker with the Silver and then it goes a little bit more

00:08:49 –> 00:08:53 coral. Now the camera, I don’t know if you’re gonna be able to see any of that but it looks

00:08:53 –> 00:08:58 a little bit more coral mixed with the gold which makes total sense with all the gold

00:08:58 –> 00:09:05 particles in it. Now, here’s the blue line here. It might be fairly obvious to see the–I

00:09:05 –> 00:09:14 don’t wanna go through too picky. The Gold looks fairly teal when it’s mixed with the

00:09:14 –> 00:09:21 blue so it got quite a bit darker. Now here is the–I’ll go back over here to the Fimo,

00:09:21 –> 00:09:28 let’s put this up. The Fimo, here’s the one where I didn’t, I mixed it after it got a

00:09:28 –> 00:09:35 little too dry and see the dry particles of the alcohol ink still stayed quite speckled.

00:09:35 –> 00:09:42 It has a very cool look but it isn’t quite what I meant to do and you’ll see that it

00:09:42 –> 00:09:49 isn’t a Fimo thing, it’s just a “me” thing because the yellow here is really really clear.

00:09:49 –> 00:09:54 There’s no problem, I mixed that one a little faster than I mixed the other ones. I thought

00:09:54 –> 00:10:00 I was being smart by putting drops all the way along and obviously, not. Now this one

00:10:00 –> 00:10:05 here, you’ll see, is quite a bit different color. I think that was user error. I think

00:10:05 –> 00:10:11 that what I did was maybe put a bigger drop of the blue and a smaller drop of the yellow

00:10:11 –> 00:10:16 on this one because I can see bits of the other color green in here that’s much more

00:10:16 –> 00:10:23 similar to this. So kind of ignore the color shift there. And then all these other colors,

00:10:23 –> 00:10:32 the Pearl and the Silver look pretty close here but it looks a lot yellower here with

00:10:32 –> 00:10:43 the Gold. Oh and here’s one big difference. This particular one, I added the yellow ink

00:10:43 –> 00:10:49 to the gold, it really got a nice, bright, rich gold color so that was very effective.

00:10:49 –> 00:10:55 I really like that. Now, let me just show you quickly–I made a little bit of thicker

00:10:55 –> 00:11:01 versions of these with the Pearl clay because this is what I was testing in the first place

00:11:01 –> 00:11:11 and when it’s in a thicker amount, it looks more pearlescent and less translucent so you

00:11:11 –> 00:11:17 can use this in a lot of really cool ways and I’ve done another video with the Gold

00:11:17 –> 00:11:22 and Silver liquid polymer clay where I’ve used it in molds and stuff and it’s quite

00:11:22 –> 00:11:28 cool. So you can use these in lots of different ways. We also got a video on comparing the

00:11:28 –> 00:11:33 different liquid or the translucent liquids so you may wanna check that one out as well.

00:11:33 –> 00:11:38 So I hope that was interesting for you that you learned a lot. Go ahead and go out there

00:11:38 –> 00:11:46 and make, make all kinds of really cool tinted liquid polymer clays with your alcohol ink

00:11:46 –> 00:11:50 and as you can see, you can mix colors as well so you don’t even have to be limited

00:11:50 –> 00:11:56 to the number of alcohol inks that you have. So you are going to make a beautiful rainbow

00:11:56 –> 00:12:03 of lovely lovely liquid colors, alright? So I hope you enjoyed that and if you did, do

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00:12:23 –> 00:12:26 clay question. Alright? We’ll see you next time and bye for now!

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