The FIMO Professional True Color Mixing System
Video #712: In general, I do like what Staedtler has done with this product… I also have some suggestions for improvements :-)
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IN THIS POST: — fimo professional — fimo classic — true colors — staedtler — color mixing — color theory — spectral colors — rainbow artist pigments — pure pigments — premo — sculpey — baking — strength test — (Topics marked with an asterisk* are discussed in the Comments Section below).
In this video I talk about the new polymer clay line by Staedtler, Fimo Professional True Colors.
This is a polymer clay based on the Fimo Classic line, with the new name of Fimo Professional, and a new Spectral Color based color mixing system.
Rather than colors based on designer colors or artist based pigments, the True Colors line is based on spectral pure pigment colors that work in a more predictable manner, like how a rainbow works. Where Red and Yellow actually make Orange. Unlike Artist based colors based on Earthen Pigments like Alizarin Crimson, Raw Sienna and Burnt Umber, which are the traditional colors used in art pigments like acrylic paints, oil paints and such.
People who have a background in working with artist pigments, the polymer clay colors that are based on the artist color system, like Premo Sculpey which I mostly use, will be familiar with how the colors work and will find it easy to mix their own colors in the line. But for people who are new to polymer clay, or are not familiar with artist pigmented colors… well you may have a more difficult time mixing the artist pigment colors. Red and Yellow in artist color, MAY give you Orange, but they may also give you a muddy color. It really depends on which Red and which Yellow you try to mix together.
Fimo has simplified the color mixing system by creating a polymer clay color line that contains pure pigments that will mix in a predictable manner. Much like the colors you find in a light spectrum of a rainbow. Red blends to Orange, to Yellow, to Green, to Blue, to Indigo, to Violet and round back to Red again.
The colors that Fimo Professional has included in their True Colors kit contain, True Yellow, True Red, True Magenta, True Blue, True Green and White.
You will need to also buy Black if you want to mix all the colors on the color chart provided in the kit.
In this video I will show you how the color system works, the things I like about the system, the things I don’t like, the color shift after baking, the recommending baking times and temperatures and strength testing at different time intervals.
I would still like to do some more testing of the product and some tweaking with the actual recipes, but overall I think the colors are pure, rich and vibrant… and that the system is simple enough for anyone to create a huge range of fabulous colors.
Thank you Staedtler Canada for sending me these samples to review!
00:00:03 –> 00:00:04 Hi Guys!
00:00:04 –> 00:00:08 It’s Cindy Lietz, your Polymer Clay Tutor in today’s PcT Product Demo, we are talking
00:00:08 –> 00:00:13 about the new Fimo Professional True Colors polymer clay.
00:00:13 –> 00:00:21 Now, this is a new line of polymer clay that Fimo is producing that is based on the old
00:00:21 –> 00:00:23 line of Fimo Classic.
00:00:23 –> 00:00:30 So if you’re familiar with Fimo Classic polymer clay, then you will under be familiar with
00:00:30 –> 00:00:32 the properties of the Fimo Professional line.
00:00:32 –> 00:00:37 So it’s basically the same clay but what they’ve done is they put together a new color mixing
00:00:37 –> 00:00:45 system and colors that are based on this spectral line of colors rather than artist pigment
00:00:45 –> 00:00:49 colors so let me just explain that a little bit to you.
00:00:49 –> 00:00:53 If you’re familiar with Premo Pop– Premo Sculpey clay, that’s what I mostly work with
00:00:53 –> 00:01:01 they are based on the artists pigment colors so old classic colors like Alizarin Crimson,
00:01:01 –> 00:01:09 Burnt Umber, Raw Sienna, that type of color mixing system that is the same in other artist’s
00:01:09 –> 00:01:15 color lines like acrylic painting and oil painting and that kind of thing.
00:01:15 –> 00:01:18 Those are based on Earthen type pigments.
00:01:18 –> 00:01:23 Well a lot of people have trouble unless you’ve got a background in that type of artist color
00:01:23 –> 00:01:28 mixing, a lot of people have trouble mixing those colors in polymer clay because they’re
00:01:28 –> 00:01:32 not as intuitive as you might think.
00:01:32 –> 00:01:38 They are not based on the rainbow like your red and yellow together make orange.
00:01:38 –> 00:01:43 Well if you’re using the artist pigment color system, sometimes you’ll get orange but you
00:01:43 –> 00:01:47 might get a muddy color depending on the type of red that and the type of yellow that you
00:01:47 –> 00:01:48 mix together.
00:01:48 –> 00:01:57 So, Fimo Professional has put together a Spectral True Color line that is based on colors that
00:01:57 –> 00:02:02 are pure and so you’re going to get the type of rainbow type colors that you would expect
00:02:02 –> 00:02:05 from it.
00:02:05 –> 00:02:14 So they got a new kit together here based on those true colors and they are– this kit
00:02:14 –> 00:02:23 here contains a three-ounce blocks of White, True Yellow, True Red, True Magenta, True
00:02:23 –> 00:02:29 Blue and True Green and the only other color that you’ll need to get if you want to mix
00:02:29 –> 00:02:32 all the colors in the line, is some Black.
00:02:32 –> 00:02:39 Now, I don’t have professional– Fimo Professional in my store but they do have the classic and
00:02:39 –> 00:02:45 it is the same clay so I can just pick up a block of Black Fimo Classic and it will
00:02:45 –> 00:02:46 work in to mix in.
00:02:46 –> 00:02:51 Now, I’m not totally sure why they didn’t include it in this packaging I think they
00:02:51 –> 00:02:55 should have but that is the decision they made.
00:02:55 –> 00:03:06 So now, they’ve got this packaging in here or for a template and it has many many languages.
00:03:06 –> 00:03:13 Fimo is now being produced by Staedtler, which is a very famous or well-known company that
00:03:13 –> 00:03:18 does a lot of office supplies, so pencils, colored pencils, rulers.
00:03:18 –> 00:03:24 When I did drafting in in the past, I had used all my drafting tools were from Staedtler
00:03:24 –> 00:03:30 so they have a very well-known and very high quality product.
00:03:30 –> 00:03:34 They are out of Germany and all of the languages in here you can see it pretty much as every
00:03:34 –> 00:03:39 language that you can think of in their pamphlets so that’s really great for all of you international
00:03:39 –> 00:03:47 people and then on the other side, they have this great color mixing chart where that one
00:03:47 –> 00:03:55 package plus a block of black will– you’ll be able to mix up all of these colors on this
00:03:55 –> 00:03:56 chart here.
00:03:56 –> 00:04:00 So I think that’s really wonderful and they’ve got a whole system figured out is quite in
00:04:00 –> 00:04:10 a simple and easy to figure out and on each one of these little blocks here, is the formula
00:04:10 –> 00:04:12 that you would need to mix those colors.
00:04:12 –> 00:04:21 Now, if you look down the center of this chart– let me just prop it up there for you– the
00:04:21 –> 00:04:28 center line of this chart is the basic line that you will need to mix up of all the colors
00:04:28 –> 00:04:32 in order to make the colors at the top and the colors at the bottom.
00:04:32 –> 00:04:41 You can see along here, they range from the yellow all the way down to the green and interspersed
00:04:41 –> 00:04:46 in here are the packages of the true colors that you would need to mix.
00:04:46 –> 00:04:56 So here he is the Fimo True Yellow and then blends all the way down to the Fimo True Red
00:04:56 –> 00:05:03 and you can see by the color little formulas on here in order to get these gradient colors
00:05:03 –> 00:05:12 in between here you would need to mix up 80 Yellow and 1 Red to get this color that they’re
00:05:12 –> 00:05:19 calling YI and then you can see that it goes all the way down the line here here’s the
00:05:19 –> 00:05:24 True Magenta, True Blue and True Green.
00:05:24 –> 00:05:29 Now, I took the time to mix up all of those colors all the way down the line and you can
00:05:29 –> 00:05:37 see they’re really beautiful and rich colors, I’ve got two samples of each because one is
00:05:37 –> 00:05:40 raw and one is baked.
00:05:40 –> 00:05:45 One thing you will notice once you bake them out that a lot of the colors will darken a
00:05:45 –> 00:05:52 little bit, not a huge amount, some colors darken a little bit more than others like
00:05:52 –> 00:06:00 the Purple like the Magenta down here and some of the Blues and Greens and stuff they
00:06:00 –> 00:06:05 will darken and shift a little bit so there is a bit of a color shift in this line but
00:06:05 –> 00:06:10 if you take these color chips that I’ve baked and put them up to the chart so here’s the
00:06:10 –> 00:06:17 color I stamped YI on it because that’s the recipe that I mixed, I actually stamped using
00:06:17 –> 00:06:21 some my metal stamps there.
00:06:21 –> 00:06:26 If you take it up to the chart, it’s pretty darn close so these colors on the chart are
00:06:26 –> 00:06:34 going to be a good representation of the colors that you will get when you mix them up.
00:06:34 –> 00:06:39 The raw colors will be slightly off that’s an what I’m trying to explain.
00:06:39 –> 00:06:47 Now, also, in order to mix the colors so you’ll see here you’ve got the the pastel kind of
00:06:47 –> 00:06:54 colors, they’re all tints with whatever is on the center line tinted with white and then
00:06:54 –> 00:06:57 the colors below are all tinted with black.
00:06:57 –> 00:07:06 On their formula chart they use the letter K for black and you’ll see the different formulas
00:07:06 –> 00:07:07 here.
00:07:07 –> 00:07:12 Now, some for the whites when you add the whites it’s relatively simple, you add one
00:07:12 –> 00:07:16 white here and one yellow and you’re going to get this color here.
00:07:16 –> 00:07:24 I have to mixed them up on my table here as well and when– but when you go down to the
00:07:24 –> 00:07:27 black so you have like these crazy amounts because black is quite strong, of course,
00:07:27 –> 00:07:34 so you’re ending up mixing 80 parts yellow with 1 part black to get this color– this
00:07:34 –> 00:07:36 green color here.
00:07:36 –> 00:07:42 I love this system for some reasons and there’s some things that I don’t really like about
00:07:42 –> 00:07:43 it.
00:07:43 –> 00:07:48 First of all, the things that I love about it is that you can mix from that package of
00:07:48 –> 00:07:54 clay plus some black all of these colors which is really wonderful, you’re going to get very
00:07:54 –> 00:08:00 predictable results and you can get all these colors from that small set.
00:08:00 –> 00:08:06 The thing that I don’t like is that the way they’ve got these recipes written out, you’ve
00:08:06 –> 00:08:13 got to mix this base color first all the way down here and then you can add the white to
00:08:13 –> 00:08:15 it.
00:08:15 –> 00:08:20 So in order to get this YI color but say.
00:08:20 –> 00:08:22 OK, let’s start again.
00:08:22 –> 00:08:29 If I wanted to mix this color up here, I need one part of YI which means I have to mix 80
00:08:29 –> 00:08:37 parts yellow and one part red take one part of that and then mix 20 parts white to it.
00:08:37 –> 00:08:43 What I would have preferred for their color system here is to actually have the formula
00:08:43 –> 00:08:49 that has that particular recipe in it rather than doing this tweaking back and forth.
00:08:49 –> 00:08:55 I mean it’s kind of nice and everything once you’ve got this base color all mixed up you
00:08:55 –> 00:09:02 can easily shift it using black or white but if I just want to mix this color here and
00:09:02 –> 00:09:10 another one way down on the chart over here, then I’ve got to premix all these colors and
00:09:10 –> 00:09:12 I end up with big bags of clay.
00:09:12 –> 00:09:19 Now, I did it in tiny amounts and all the leftover clay, I put in little bags with their
00:09:19 –> 00:09:24 formula number on it but you know, like a professional would need to make some really
00:09:24 –> 00:09:25 large amounts.
00:09:25 –> 00:09:29 I mean this amount is just too small to deal with but I didn’t want to use up my entire
00:09:29 –> 00:09:36 block or my entire box of clay so I really don’t like that, I would like to if I could
00:09:36 –> 00:09:41 take the time and figure out the math on it, I would like to re-figure out each of those
00:09:41 –> 00:09:46 recipes so that I could just go to straight to them but other than that, it’s a it’s a
00:09:46 –> 00:09:51 beautiful quite simple easy-to-learn system.
00:09:51 –> 00:10:01 Now, as far as baking and stuff goes, this Fimo Clay bakes your Fimo classic bakes at
00:10:01 –> 00:10:10 what is it, it’s 110 Celsius for all of you guys that use Celsius system, it’s 110 degrees
00:10:10 –> 00:10:14 Celsius or 230 Fahrenheit.
00:10:14 –> 00:10:19 So that’s quite on– it’s quite a bit lower than some of the other clays that are out
00:10:19 –> 00:10:23 there but it can handle a little bit higher temperatures as well.
00:10:23 –> 00:10:29 It can go all the way up to about 265 but the color will darken a little bit, it won’t
00:10:29 –> 00:10:33 burn but it will darken and so if you need that color to be pure, you need to keep it
00:10:33 –> 00:10:39 down at the 230 Fahrenheit mark.
00:10:39 –> 00:10:44 As far as strength goes Fimo Classic is at or Fimo Professional in this case is a very
00:10:44 –> 00:10:52 strong and durable clay I’ve baked up some little samples here, these this one I marked
00:10:52 –> 00:11:00 with 30 minutes so I baked it at the 230 degrees Fahrenheit for 30 minutes like the packaging
00:11:00 –> 00:11:08 says then I pushed it up a little bit further – 45 minutes and further to 60 minutes here.
00:11:08 –> 00:11:12 You can see with the 60 minutes or hopefully the camera will pick it up, it’s quite a bit
00:11:12 –> 00:11:19 more yellow-y its darkened compared to the 30 minutes, the 30 minutes is the cleanest
00:11:19 –> 00:11:25 crispest White but we’ll have to just check it now to see the strength of it.
00:11:25 –> 00:11:29 The 30 minutes, I think it’s going to be fairly strong.
00:11:29 –> 00:11:36 Oh, no, it snapped pretty quick so at 30 minutes even though its firm and the nice bright color,
00:11:36 –> 00:11:41 I would push it a little bit further than that temperature-wise let’s see if the 45,
00:11:41 –> 00:11:44 I mean not temperature push it a little bit time-wise.
00:11:44 –> 00:11:49 Well the 45-minute one still broke quite easily.
00:11:49 –> 00:11:57 Oh the 60 one broke so that’s interesting I wasn’t expecting that, I had seen some people
00:11:57 –> 00:12:06 do some examples at a much at this longer time, they get a stronger clay from that so
00:12:06 –> 00:12:12 I’m surprised by that result I’m guessing then if you really wanted the high-strength
00:12:12 –> 00:12:18 you would probably have to bump up the temperature a bit and sacrifice a little bit of the pure,
00:12:18 –> 00:12:21 pure color.
00:12:21 –> 00:12:28 Anyways I just wanted to show you this system and we’ll have to do some more experimenting
00:12:28 –> 00:12:33 in the future, I haven’t I’ve worked a little bit with Fimo clay but not a ton, its properties
00:12:33 –> 00:12:39 are a little bit different than the Premo clay that I’m used to working with.
00:12:39 –> 00:12:46 You can see that it’s a little bit stickier and it’s– the color comes off in your hands
00:12:46 –> 00:12:52 a little bit more which explains why people are always asking me why, how do you get the
00:12:52 –> 00:12:54 red off of your hands in and work with white after.
00:12:54 –> 00:12:59 I’ve kind of forgotten that Fimo does that and I really noticed it when I was mixing
00:12:59 –> 00:13:05 these colors though I just really really love how bright and pure this color system is so
00:13:05 –> 00:13:10 I’m going to have to work with it a little bit more and to see if I can work this into
00:13:10 –> 00:13:12 my system as well.
00:13:12 –> 00:13:14 Alright, so I hope that was informative for you.
00:13:14 –> 00:13:18 I hope you liked this video and if you did do let us know.
00:13:18 –> 00:13:25 And if you have products you’d like me the test, techniques that you don’t know about
00:13:25 –> 00:13:29 or tips that you’d like, make sure to leave your suggestions in the comments section below
00:13:29 –> 00:13:33 so that maybe I can make a video for you on it and we have also done hundreds and hundreds
00:13:33 –> 00:13:40 of videos so the chances are pretty good that we have done a video that will help you.
00:13:40 –> 00:13:45 So make sure to search through what we’ve got and find the answers that you need.
00:13:45 –> 00:13:49 Alright, so we’ll see you next time and bye for now.
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Resource Links:
- Related Video: Understanding Polymer Clay Color, by Making Mud
- Related Video: How To Mix Polymer Clay Color Recipes
- Related Video: Polymer Clay Color Mixing And Color Saturation
- Related Video: Ten Minutes NOT Long Enough to Bake Polymer Clay
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Hi Cindy, I saw the video Fimo Professional and saw the samples breaks. Did you ever figure out why that happened? I use Premo to make faux stones that I then enclose in copper wire wraps. I get that darkness on my stones after backing for 60 minutes do you think I could reduce the time since my stone are thick. I would appreciate your feedback and you can look at the stones on my website. Thank you in advance.
Sonya Thomas
Hi Sonja, I haven’t done any further testing with the Fimo yet, but I do plan to. The sample broke because it either needed a little higher temp or more time… I suspect more time but testing will prove that either way. If your pieces are getting dark, make sure that they are tented properly so that they are protected from the elements. I would bake for less time because they are thick… yes they probably won’t be as vulnerable to breaking but you could end up with clay that isn’t properly cured on the inside, if you don’t bake for long enough. Also check to make sure you’re baking at the correct temp (use an oven thermometer to make sure. Because spikes in temp will also cause your clay to darken. Hopefully that helps!
If you want safer pigments (iron oxides) or fabulous micas at a price you can afford, try tkb trading. 6 gram samples for a 1.50 can’t be beat with an ugly stick. All of their pigments, micas, and glitters are cosmetic grade.
Dee, what is an ugly stick?
LOL You haven’t heard that term before Dixie Ann? It’s an oldie… though come to think of it, it doesn’t really make a whole lot of sense. But there’s a lot of old sayings that don’t make a lot of sense! :)
Thank you Dee for the resource! That is very helpful to know!
Kim
Thank you for the explanation. It was helpful and I really appreciate it. I’m not making any new media purchases right now. I am learning software and then how to cut metal clay and polymer clay on my Silhouette Curio.
Harriet, thanks for the link to another dangerous place.
Sorry! :o)
If anyone happens to have artist’s dry pigment powders, as I do, you can get plain mica powder at Douglass and Sturgess. It’s cheap, but comes in 5 lb quantities! FM-1144 Mica Powder, 5 lb. $3.95
Note: I later found it on Etsy for $7.75 per oz. at SaharasSupplies
Douglass and Sturgess also have the cheapest dry pigments I’ve found, but, again, the smallest quantity for most is 1/4 lb.
The Artists Dry Pigments Page…all show yellow jars, but clicking on any one will take you to a page where there is a chart of the colors. Actual brushed colors, don’t know what they used to mix them with, but they aren’t that good. Helps to know what the colors are. For most colors, the smallest quantity available is 1/4 lb. Prices vary depending on the pigment. Iron oxide red is $5.95. Venetian Red is only $3.95 for half a pound. Two of the the most expensive come in 2 oz. sizes: Cobalt Violet at $18.50, and Quinacridone Magenta for $15.
Don’t know how helpful any of this is, but I happen to really like the store…if you’re looking for molding materials, resins, patina finishes and metal finishes, and much more, it’s a great place to browse.
Sorry about the funny formatting…don’t know what happened…also the link for the pigments takes you to the home page instead unless you copy and paste the whole URL. …Harriet
Harriet – I fixed up your links so they go to where they are supposed to go.
Thanks a lot, Doug!
Thank you for these awesome links and your great information!
You’re welcome! I always like to share the out-of-the-way places with interesting stuff when I come across them.
Thank you Harriet for all the cool links! I had to laugh at how old school their site was. I thought ours was old! But it looks like there is some really great products there. Will have to swim around there for a bit and see what I can find. :)
Yes, it’s really clunky! Has a lot of hazardous materials, too, I’m afraid. Another fun site is Sciplus with all kinds of odds and ends; overstocks, mistakes, etc. Part of the fun is their sense of humor in describing the items.
Wow another cool site Harriet! Thanks!
:0)
I just ordered the Primary Elements. Found them on Amazon in sample packs. None of the craft stores carry them unless JoAnns does. You do have to buy a binder for them and they will need a sealer but the colors are so vibrant and rich with mica. I hope a lot more of you watch the video Cathy supplied here. I already have a couple of Cindys Tutes in mind I am going to use them with.
Hi Dixie Anne,
Happy new year :). It’s great that this product has inspired you to revisit some of Cindy’s tutorials. I hope you will post your pictures to the PcT facebook page. I must say it has been less than lively around there lately – the project picture album I mean.
Regarding this product I think I will hold off on buying it. I have so many supplies and ideas from Cindy’s wonderful tutes that I will be busy for a long time!
Karen
Hi Karen, I was thinking the same thing about the album the other day when I was glancing through it. I am so hoping Cindy starts up her new website soon so we have new tutorials to do and show there.
Agreed, Dixie Ann :) !
We’re working on it guys!
Dixie Ann,
What do you mean you need to buy a binder? If you apply the powder to raw clay do you still need to use the binder?
and what size were the “sample” sizes you bought? I can’t seem to find them on Amazon.
Thanks!
Hi Fran, No, this pigments stick to raw clay with no binder. A binder is another liquid type material such as liquid clay, a gel of type etc; even water which when added creates a beautiful wash. Here is the link to the sample size containers.
I have been hearing a lot of buzz about Pan Pastels and Primary Elements. Have you tried either of them? They did not come up in the site search, so they might be new fodder for your testing
Hi Cathy, I have definitely heard about Pan Pastels, but have not had the opportunity to test them out yet. They are going on the list for future products to do in the PcT Test Lab. I have not heard of Primary Elements though. What are they? A pastel or something else?
Primary Elements are Pure artists pigments with mica powder in it.
Here is a 4 minute YouTube showing some of the applications…
With glazes and mediums you can paint with it. T You need one of theses because there are no binders. Obviously you can mix and blend your own colors and it is yummy when painted.
I have seen it applied to raw polymer clay in a similar manner to Pearl Ex. I haven’t looked really hard to see other applications for polymer clay. Making your paint might be interesting to try.
Thanks Cathy for sharing that! There are so many cool products out there, aren’t there? I would love to try them out. I’ll put them on the list of stuff to get a hold of in the future. They look interesting!
That is great to hear that you are liking the pigments Kim! There are so many cool products out there aren’t there? I will have to live to 300 to even get close to trying them all!
Pearl Ex powders can do much the same; you need binders or mediums with them just as you do with Primary Elements. Ranger’s Perfect Pearls already have a resin binder in them, so they can be used as watercolors out of the jar.
The big difference I see after looking at all three products online are the number of available colors in the brands’ palettes. Perfect Pearls have 32 colors, Pearl Ex have 49, and Primary Elements have 198!
It’s difficult to compare prices as Pearl Ex and Perfect Pearls are sold by weight and Primary Elements are sold by volume. This concerns me because, as anyone who has ever sifted flour knows, you can fill a container with a lot less material just by sifting it. I’d prefer it were sold by weight so I could compare costs. I have purchased other ColourArte products that were liquid or solid based and been happy with them. The colors are very beautiful.
Recently, I’ve been buying unbranded mica pigment powders on eBay from China sources. I’ve been really happy with the color range, intensity, and quality. They compare to and coordinate well with the Pearl Ex and Perfect Pearls I already have in my stash, and the prices can’t be beat.
Thanks for information. Pardon my ignorance, but it is my impression that the Primary Elements is mica and artist pigments, so the color intensity could be stronger. I don’t know how else the pigment change the dynamics.
Is that a correct assumption?
Hi Cathy,
Mica powder in its natural state is translucent and colorless. It is ground up from mica “rock”, that semi-clear mineral that peels off in flat sheets that you might remember from science class. Mica pigment is artist pigment with mica powder added. Any eye shadow with glimmer is also mica pigment, although eye shadows have other ingredients added apart from pigment and mica which dilutes their intensity.
Primary Elements may have a greater proportion of pure pigment in their product compared to PearlEx or Perfect Pearls. I suppose the only way to find out is to buy them and try them out.
I did go ahead and invest in some Primary Elements powdered mica pigments and I am happy to say, I love them! The colors are wonderfully intense and the quantities in the jar are generous. I subscribed to the newsletter and receive coupons and sale announcements weekly. I’m putting together my 3rd order for a 40% off flash sale. You can’t beat that!
Thanks for testing the Fimo Professional True Colours for us, Cindy.
With regards to wishing that Staedtler had included “from the get go” recipes for each of the mixes on the chart: I looked at the possibility of working those mixes out, and discovered that there is probably a good reason that they didn’t do that! :(
I looked at the YII column – because I couldn’t read YI :)
The YII mix is 20 yellow + 1 Red. So that gives us 21 parts total.
But we only need one part of that to make the lightest colour, at the top of the column, which is 20 parts White and 1 part YII mix. So to make YIIa from the blocks, we would need:
420 parts White, 20 parts Yellow and 1 part Red (or to make it a little more realistic, 52 1/2 W, 2 1/2 Y, 1/8 R)
It only took that one try for me to figure out that I wasn’t going to spend any time trying to translate the chart into “from the get go” recipes! :((
Question:
I watched a video on CraftArtEdu about making stronger clay for small or thin components, in which the lady mixed Kato Translucent and Premo Translucent into coloured clay (I think it was a free video, and I’m not giving amounts, so I don’t think that I am breaking any copyright rules here). Where I am going with this is that if the Fimo Professional True Colour bakes at so much lower a temperature than Kato or Premo, it probably wouldn’t work well to mix the strengthening Translucent mix into it. Do you think the same without testing it?
I also was shocked by how easily the test squares snapped. I have enough problems with some of my pieces breaking, without using a clay that has very little shear strength to start with! I won’t be rushing out to buy any of this in a hurry.
That’s one of the reasons why we love your tests and videos, Cindy – “you make the mistakes so we don’t have to!” to quote your banner.
Hi Doreen, great comment! I agree with the issue with the recipes. The amounts are kind of crazy, hence the reason for the system they set up. I would however still rather have the full recipe with the fractions, then having to make up large batches of the base colors. The fractions could be reduced more still, down to 32nds and still be feasible to do. But you’re right about the task being a big one for someone like us to take the time to do. Not for the company though. They’d only have to do it once and put it on the chart. Would make the chart look more complicated, but in the end it would be a lot easier for the person mixing the recipes. If I find myself with some extra time in the future, I will make the recipe formulas and make them available.
As far as the test chips breaking, I suppose I could mix another brand of clay in, but I feel that it is better if you can stay within one brand for simplicity sake. I’d rather experiment with the time and temperature and have to adjust the color recipe if necessary to get the ideal strength. I know many professionals who love the Fimo Professional line and swear by its strength, so I believe it will just take a little tweaking to find the sweet spot for this particular brand. Just like we have done with Premo and others have done with Kato, each brand has their differences.
Will try and spend some time in the new year playing with the Fimo Professional True Color line and see what I can make of it. Thanks so much for your feedback and Happy New Year to you and your family!
Hi Cindy, got a free pack from Fimo on the true colors but have not had time to try it out. My busy embroidery season is here now too. I probably won’t dump my premo any time soon for Fimo but it will be interesting to see where this free package takes me. I probably will do no mixing using the colors right out of the package for some project or another.
Extremely helpful video….thanks so much. Especially the limitations of the color chart. I know that’s not something I would think of until I was at the point of trying to mix a tint or shade! A deal-buster for me.
Goodness – it’s so weak! I have quite a bit of it but haven’t really used it much yet but once my Premo has got mostly used up l intend to but l’ll be baking at Premo temps for strength.
Strangely, l found it was firmer and less sticky than Premo, which seems to go really really soft and unworkable even in my fairly cool workshop here in the UK! How you all cope with it in the US l don’t know!
This was very interesting, thank you very much Cindy! I can’t imagine how many packs of colour you’d need in order to produce some of those more complex shades. I think, like Anna above, I shall be sticking with Premo!
The recipes mixing seems a bit much. The thought of 80 Yellow to 1 white makes my head hurt!! You have shared your color recipe tips before but I will stick with Premo.
Wow! I can’t believe the weakness of the clay. My eyebrows went straight to my hairline. I personally struggle a bit with mixing colors and like the ease of this system, but I just don’t think I’ll be making the switch from Premo. I very much dislike the stickiness of Fimo. Thanks so much for the video! Big big hugs!